MAJOR PERFORMANCES
COMMISSIONED WORK
• Water Bloom (2012) for two pianos and eight hands
o Scheduled to be premiered in September 2012, South Korea
o Commissioned by The Pianissimo Piano Ensemble
• Dawn and Dusk (2012) for two pianos, four hands and electronics
o Scheduled to be premiered in June 2012, South Korea
o Commissioned by Yunji Piano Ensemble
• In Void (2012) for two pianos and four hands
o Scheduled to be premiered in September 2012, South Korea
o Commissioned by Seung-Ji Ryu
• Resilience (2012) for two female voices and harp
o Premiered on February 5, 2012 in Ganz Hall, Roosevelt University
o Commissioned by Hope Littwin
• In a picture of freedom (2011) for voice, flute, clarinet, piano, percussion, violin, cello
o Composed while in residence at Copland House, Cortlandt Manor, New York, as a recipient of the Aaron Copland Award.
• The mind that moves (2011) for two pianos and eight hands
o Faculty Composition Recital, Roosevelt University, Chicago, IL, February 23, 2012
o The Pianissimo Concert, Recital Hall, Seoul Arts Center, Seoul, KOREA, June 29, 2011
o Commissioned by The Pianissimo Piano Ensemble
• THE ETERNAL TAO (2010) –One Act Multimedia Production
o THE ETERNAL TAO DVD, PARMA Recordings
o Premiered on October 22nd, 2010 in Ganz Hall, Roosevelt University
o In support of John Simon Guggenheim Memorial Foundation
o In support of Roosevelt University Faculty Research and Professional Improvement Leave
• Broken Light (2010) for Flute, Haegum, Piano and Percussion
o New Dawn, Contemporary Music Ensemble, Dae Jun Cultural Center, Dae Jun, South Korea, December 26, 2010
o Commissioned by New Dawn New Music Ensemble
• OM (2009) for laptop ensemble
o The TAMU Laptet's concert, Fallout Theater, Texas A&M University, College Station, TX, November 1, 2011
o Electric Monster Laptop Ensemble Concert, Montana State University, Reynolds Recital Hall, Montana State University, Bozeman, MT, December 4, 2009
o Commissioned by Electric MONSTER laptop ensemble at Montana State University
• Inner Space (2009) for cello and two-channel electronic fixed medium
o Faculty Composition Recital, Roosevelt University, Chicago, IL, February 23, 2012
o The 2012 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference at the Lawrence University, Appleton, WI, February 11, 201
o JW Turner’s Cello Recital, Hawaii Pacific University, Honolulu, Hawaii, November 10, 2011
o JW Turner’s Cello Recital, Radford University, Radford, VA, October 27, 2011
o Aired on the PO MO RADIO SHOW #12: Sweet Home AlaBAMA for New Music since 1980 by Birmingham Art Music Alliance Composers and Performers at 1-2 p.m. (EST), August 9, 2011
o “Image and Sound”, Birmingham Art Music Alliance, Hulsey Recital Hall, The University of Alabama at Birmingham, Birmingham, AL, January 18, 2011
o New Music Circle- Dedicated to the creation and performance of improvisational and experimental music, Kranzberg Arts Center, St. Louis, MO, April 3, 2010
o Premiered by Craig Hultgren at the “Solo Program of Recent Compositions for the Cello,” Birmingham-Southern College Starlight Amphitheater, Birmingham, AL, September 2, 2009
o Commissioned by Craig Hultgren, cellist
• The line we can’t cross (2008) for alto saxophone and two-channel electronic fixed medium
o Bent Frequency Festival, Bloch Hall, West Virginia University, Morgantown, WV, September 13, 2011
o New Music at the Green Mill, Green Mill, Chicago, IL, October 24, 2010
o Michael Holmes’ Saxophone Recital, Beall Concert Hall, University of Oregon, Eugene, OR, October 6, 2010
o New Music Festival, Illinois State University, March 25, 2010
o Michael Holmes’ Recital at the University of Wisconsin-Oshkosh, Oshkosh, WI, November 10, 2009, at the Lawrence Conservatory, Appleton, WI, November 12, 2009, and Michael Holmes’ Faculty Recital at the University of Illinois at Urbana-Champaign, November 14, 2009
o International Computer Music Conference (ICMC) 2009, The Schulich School of Music at McGill University and the Centre for Research in Music Media and Technology (CIRMMT), Montreal, Canada, August 16–21, 2009
o The 2008 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Sweetwater Sound, Fort Wayne, IN, April 16-18, 2009
o New Music Festival 2009, Western Illinois University, Macomb, IL, March 9-11, 2009
o University of Chicago Computer Music Concert, Fulton Recital Hall, University of Chicago, Chicago, IL, February 12, 2009
o Finalist at the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December, 2008
o Faculty Composition Recital, Roosevelt University, Chicago, IL, November 20, 2008
o Third Practice Festival, University of Richmond, Richmond, VA, November 7-8, 2008
o Lipa Electronic Music Festival, Iowa State University, Ames, IA, October 23, 2008
o Saxophone Workshop, Cincinnati Conservatory Music, Cincinnati, OH, June 2, 2008
o Commissioned by Michael Holmes, saxophonist
• Tensile Strength (2008) for two-channel electronic fixed medium (co-commissioned)
o International Computer Music Conference (ICMC) 2009, The Schulich School of Music at McGill University and the Centre for Research in Music Media and Technology (CIRMMT), Montreal, Canada, August 16–21, 2009
o Recording: International Computer Music Conference Selected Music, Montreal, QC, Canada, 2009
o 2009 SYNTHESE FESTIVAL, Bourges, France, June 5, 2009
o The 2008 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Sweetwater Sound, Fort Wayne, IN, April 16-18, 2009
o Broadcasted on the Czech Radio 3, radio station "Vltava," February 17, 2009
o Honorary Prize and performed at the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 12, 2008
o Broadcasted in Slovak radio, December 11, 2008 from 10-11 p.m./Streaming at www.rozhlas.sk/
o Theremin electric cello and Live Digital Performances, Chicago Composers’ Consortium, Columbia College Chicago, IL, November 22, 2008
o Electronic Music Midwest Festival, Lewis University, Romeoville, IL, October 16-18, 2008
o Recording: 50th Anniversary Experimental Music Studios (EMS), University of Illinois at Urbana-Champaign, 2008
o Co-Commissioned with Timothy Ernest Johnson by University of Illinois at Urbana-Champaign Experimental Music Studios for the 50th year celebration, University of Illinois at Urbana-Champaign, Urbana, IL, 2008
• It only needs to be seen (2007) for guitar and two-channel electronic fixed medium
o Electronic Music Midwest mini Festival, Lewis University, Romeoville, IL, March 11, 2010
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 10, 2010
o The Fifty-Second National Conference of The College Music Society, Portland, Oregon, October 23, 2009
o Recording: Society for Electro-Acoustic Music in the United States (SEAMUS) CD Series no.17, 2008
o The 2007 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Iowa State University, Ames, IA, March 8-10, 2007
o Commissioned by ASCAP/SEAMUS Commission Competition 2006
• Gestural Trajectory (2004) for two pianos and percussion
o Sean Darby’s Percussion Recital, The Smith Memorial Hall, University of Illinois at Urbana-Champaign, Urbana-Champaign, IL, December 7, 2010
o Notation 21 Picturing the Sounds: Dialects of Contemporary Composers, Seton Art Gallery, Dodds Hall, University of New Haven, West Haven, CT, October 7-November 11, 2010
o Inclusion of the 2010 Anthology of Contemporary Concert Music, May 2010
o Notations 21 exhibition, Hutchins Gallery, Long Island, May 11-31, 2009
o Notations 21, the Chelsea Art Museum, New York, NY, October 18, 2008
o Received Robert Helps Prize 2007
o New York Merkin Concert Hall, New York, NY, February 18, 2007
o University of South Florida, Tampa, FL, February 14, 2007
o Commissioned by Sean Darby, Percussionist
• TAO (2002) for voice, piano and live electronics
o Score excerpt for Theresa Sauer's Notations 21 from Mark Batty Publisher
o Music 04, University of Cincinnati College-Conservatory of Music, Cincinnati, OH, June 18, 2004
o Midwest Composers Symposium, Oberlin Conservatory of Music, Oberlin, OH, February 2003
o Composition Division Recital, University of Illinois at Urbana-Champaign, Urbana, IL, December 2002
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
o Commissioned by Jana Mason & Richard Anderson
MULTIMEDIA WORKS
• GAIN (2007) for DVD
o Channel Noise 2 Concert, Carol A. Carter Recital Hall, Georgia Southern University, Statesboro, GA, April 1, 2010
o Electroacoustic Juke Joint at Delta State University, Cleveland, MS, November 12-14, 2009
o Sunday Night Multimedia Concert Series, Reynolds Recital Hall, Montana State University, Bozeman, MT, October 19, 2008
o New Adventures in Sound Art 2008, Sound Play Festival, Toronto, ON, Canada, October 2008
o The 2008 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, University of Utah, Salt Lake City, UT, April 3-5, 2008
o “Spring in Havana” International Electroacoustic Music Festival in Havana, Hall of the Museo de Bellas Artes, Havana, Cuba, March 13-14, 2008
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 6, 2008
• Condolence (2003) for DVD
o The Kansas City Electronic Music Alliance (KcEMA)'s 5th concert with UCP (Urban Culture Project), La Esquina, Kansas City, MO, April 11, 2009
o Presented in MUSC398, Special Topic Seminar: Electroacoustic Music Composition, University of Nebraska-Lincoln, Lincoln, NE, March 28, 2009
o Electroacoustic Juke Joint at Delta State University, Cleveland, MS, November 13-15, 2008
o UW Oshkosh Wired, University of Wisconsin Oshkosh, Oshkosh, WI November 11, 2008
o “Spring in Havana” International Electroacoustic Music Festival in Havana, Hall of the Museo de Bellas Artes, Havana, Cuba, March 13-14, 2008
o Technosonics VIII, University of Virginia, Charlottesville, VA, November 9, 2007
o Cinematheque 2007 in conjunction with NewMediaFest2007, Cologne, Germany, November 2007
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 5, 2007
o The Music Technology program, Northeastern University, Boston, MA, February 22, 2007
o The 2006 Bellingham Electronic Arts Festival (BEAF), Bellingham, Bellingham, WA, November 30 -December 3, 2006
o SoundLab, SoundLAB Edition IV memoryscapes, newmediafast.org, October 13, 2006
o Swedish Electro-Acoustic Music Society (SEAMS) Annual series, Stockholm, Sweden, September 14, 2006
o ea-2@zbcenter concert, Zhou B. Center art gallery, Chicago, IL, July 21, 2006
o The 2006 Society for Electro-Acoustic Music in the United States (SEAMUS), University of Oregon, Eugene, OR, March 30-April 1, 2006
o Spark Festival, University of Minnesota, University of Minnesota, Minneapolis, MN, February 21-26, 2006
o Electronic Music Midwest, Kansas City Kansas Community College, Kansas City, KS, October 20-22, 2005
o Music Beyond Performance: SoundImageSound III, University of Pacific Conservatory of Music, Stockton, CA, September 9, 2005
o Zeppelin 2004, Centre de Cultura Contemporània de Barcelona (CCCB), May 22, 2004
o Midwest Composers Symposium, University of Iowa, Iowa City, IA, November 7-8, 2003
o University of Illinois at Urbana-Champaign (UIUC) student composer concert, UIUC, Urbana, IL, November 2003
o Electronic Rainbow Coalition Festival (music only), Dartmouth College, Hanover, NH, August 22-23, 2003
• Illusion (2002) for prepared piano and two-channel electronic fixed medium and live video image processing
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
• Merger II (2002) for electronics and live video image processing
o 21st Century Piano Commission Concert, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
• Conceptual View of Worlds IV (2001) for interactive-experimental electronics
o 21st Century Piano Commission Concert, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
• Counterpoint (2000) for voice, clarinet, bassoon, double bass and three dancers
o Concert for dancer/composer choreography, University of Illinois at Urbana-Champaign, Urbana, IL, March 2000
• Kandinsky (2000) for voices, electric guitar, percussions, dancers and video projection
o Recording: Society of Composers Inc. (SCI) CD Series no.22, Musings, 2007
o Studio Dance II in Dance department, University of Illinois at Urbana-Champaign, Urbana, IL, April 2001
o Midwest Composers Symposium, University of Illinois at Urbana-Champaign, Urbana, IL, November 2000
• Intuitive Abyss (1999) for voice, flute, cello, electric guitar, percussions, and video projection
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
OTHER MAJOR COMPOSITIONS AND PERFORMANCES
• Uncarved Water (2010) for oboe, violin, viola, cello and percussion
o Boston New Music Initiative Concert at St. Peter's Episcopal Church, Cambridge, MA, April 27, 2012
o Chicago Composers’ Consortium, “Dal Niente Consorts with Chicago Composers”, Sherwood Community Music School, Chicago, IL, February 11, 2011
• Ceaseless Cease (2009) for clarinet and electronics
o Esther Lamneck’s Solo Clarinet Faculty Recital, Frederick Loewe Theater, New York University, New York, NY, February 17, 2011
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 3, 2011
o The 2011 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference in the University of Miami, FL, January 20-22, 2011
o Dedicated to Esther Lamneck, clarinetist
• To Unformed (2009) for piano and electronics
o College Music Society Lakes Regional Conference, Harper College, Chicago, IL, March 30, 2012
o Feminist Theory and Music 11 Conference, Herberger Institute School of Music, Arizona State University, Phoenix, AZ, September 22, 2011
o Con Brio, The John Gomes Memorial Piano Competition & Festival, Mumbai, India, July 15, 2011
o 2011 Denison University Tutti New Music Festival, Denison University, Granville, OH, March 3-5, 2011
o Athena Festival, Murray State University, Murray, KY, March 2, 2011
o Festival of New Music, Opperman Music Hall, Florida State University, Tallahassee, FL, January 29, 2011
o Boston New Music Initiative, “Celebrating 100 years of New Music”, Electroacoustic, Multimedia and Video Concert, The Lilypad, Cambridge, MA, December 11, 2010
o Third Practice Festival, University of Richmond, Richmond, VA, November 5-6, 2010
o New Music at the Green Mill, Green Mill, Chicago, IL, October 24, 2010
o The Summer Institute for Contemporary Performance Practice (SICPP), New England Conservatory, Boston, MA, June 12-20, 2010
o The 2010 Society for Electro-Acoustic Music in the United States (SEAMUS) 25th Anniversary National Conference, St. Cloud State University, St.Cloud, MN, April 8-10, 2010
o SCI Region IV conference, University of North Carolina at Greensboro, Greensboro, NC, February 4, 2010
o New Music Miami of the International Society for Contemporary Music (ISCM), Florida International University, Florida NODUS Group, Miami, FL, January 23, 2010
o Honorary prize for the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 2009
o International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 4, 2009
o Premiered by Winston Choi in Ganz Hall at Roosevelt University, Chicago, IL, October 16, 2009
• TRACK (2008) for flute, clarinet, piano, violin, cello, and percussion
o International Conference on Contemporary Music, IC[CM] 2010, University of A Coruña, A Coruña, Spain, April 25, 2010
o The College Music Society, 2009 International Conference in Zagreb, Split, and Dubrovnik, Croatia, June 30-July 7, 2009
o Recording: ERM Media, 2009
o Faculty Composition Recital, Roosevelt University, Chicago, IL, November 20, 2008
o Common Ground: Music of Korean Emigrant Composers, Music Center Concert Hall, Chicago Columbia College, Chicago, IL, April 25, 2008
o Common Ground: Music of Korean Emigrant Composers, Fulton Recital Hall, University of Chicago, Chicago, IL, April 24, 2008
• Slight Uncertainty is Very Attractive (2006) for flute and two-channel electronic fixed medium
o Electro-Acoustic Barn Dance, University of Mary Washington, Fredericksburg, VA, October 27-29, 2011
o Electronic Music Marathon, Brandeis University, Waltham, MA, April 30, 2011
o Vox Novus Concert in collaboration with the Remarkable Theater Brigade and Jan Hus Church as monthly chamber concert series, Jan Hus Presbyterian Church, New York, NY, April 25, 2010
o Solo Flute Recital by Jeong In Heo, Dae-Jun, Cultural Center, Dae-Jun, Korea (ROK), March 21, 2010
o Selected for the 6th Sound and Music Computing Conference, Casa da Musica, Porto, Portugal, July 23-25, 2009
o "Flute Collage," Varner Recital Hall, Oakland University, Rochester, MI, April 7, 2009
o Broadcasted on the Czech Radio 3, radio station "Vltava," February 18, 2009
o Dynamics and Gesture, Ensemble Dal Niente Finale Concert, Chicago, IL, June 2, 2008
o New Music Miami/NODUS ensemble, Von Hartz Gallery, Miami, FL, April 12, 2008
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 6, 2008
o The 2008 Society of Composers, Inc. (SCI) National conference, Georgia State University, Atlanta, GA, February 23, 2008
o Honorary Prize and performed at the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 14, 2007
o First place and performed in the Birmingham Arts Music Alliance (BAMA) Concert Exchange program, ARTBURST Performance Series, Birmingham, AL, June 3, 2007
o Zhou B. Center art gallery, Chicago Composer Forum (CCF)/Birmingham Arts Music Alliance (BAMA) Exchange Program, Chicago, IL, June 2, 2007
o Society of Composers, Inc. (SCI) Region V Conference, Clark College, Dubuque, IA, February 22-24, 2007
o The performance under the theme of "Music of Korea- Tradition and Modern in Dialog," with other Korean composers, Freiburg, Germany, January 10, 2007
o Electronic Music Midwest Festival at Lewis University, Romeoville, IL, October 12-14, 2006
• Flowerlips (2006) for vibraphone solo
o The College Music Society, 51st National Conference, Atlanta, GA, September 25-28, 2008
o The 2008 College Music Society "Two Greats" Super Regional Conference of the Great Lakes and Great Plains Chapters, Illinois State University, Normal, IL, March 28-29, 2008
o Florida New Music Festival, Florida State University, Tallahassee, FL, February 1-3, 2007
• Photogene (2005) for two-channel electronic fixed medium
o The SoundCrawl:Nashville 2010, Nashville, TN, September 10, 2010
o Taukay Web Radio broadcasting by TEM - Taukay Edizioni Musicali, April 2010
o Honorary Mention in the Destellos Competition 2009
o Finalist of the Contest for the International Contemporary Music Contest "Citta' di Udine," 2008
o The Florida Electronic Music Festival, Gainesville, FL, April 10-12, 2008
o Free Play 10: Listening Chamber, Art Gallery, Grand Valley State University, Allendale, MI, February 21, 2008
o New Music Festival, Ball State University, Muncie, IN, February 12, 2008
o Finalist and performed at the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 14, 2007
o Electronic Music Midwest Festival, Kansas City Kansas Community College, Kansas City, KS, October 13, 2007
o New Music in the Gallery concert, Zhou B. Center art gallery, Chicago, IL, April 21, 2007
o Florida Electro-Acoustic Music Festival, University of Florida, Gainesville, FL, April 12-14, 2007
o International Women's Electro-Acoustic Listening Room Project, California State University, Fullerton, CA, March 3, 2007
o Honorable Mention for Palmarès du 33e Concours Internationaux de Musique et d’Art Sonore Electroacoustiques de Bourges, Degré II-Trivium/Quadrivium, 2e catégorie, France, 2006
o Finalist for CEMJKO Music and Art Week, Pouso Alegre-MG-Brasil, Brazil, November 6-10, 2006
o SoundLab, SoundLAB Edition IV memoryscapes, newmediafast.org, October 13, 2006
o Centro de Documentacao de Musica Contemporanea, CDMC-Brasil/UNICAMP, Campinas—SP, Brazil, June 2006
o Finalist for Electroacoustic music concert, Musica Nova 2005/B – competition Category B (compositions for acoustic instrument/voice/ensemble & electroacoustic media), Czech Republic, 2005
o Projet-Itinerant, University of Illinois at Urbana-Champaign, Urbana, IL, September 23, 2005
o Projet-Itinerant, Buenos Aires, Argentina, Uruguay and Colombia, June 2005
• Tranquility (2005) for two-channel electronic fixed medium
o The Exhibition, "A Complex Weave - Women and Identity in Contemporary Art" at Robeson Gallery at Penn State University, University Park, PA from Sept 27 - Dec 4, 2011
o neoPhonia concert, Georgia State University, Atlanta, GA, April 20, 2010
o Electroacoustic Music Concert, University of Oklahoma, Norman, OK, April 19, 2010
o Electronic Music Midwest mini Festival, Lewis University, Romeoville, IL, March 11, 2010
o The Exhibition at the Sounds from the Weave installation at Rutgers University, Camden, New Jersey, November 2009
o The SoundCrawl:Nashville 2009, Nashville, TN, October 3, 2009
o The First New York City Electroacoustic Music Festival and Conference, CUNY Graduate Center, New York, NY, April 2-4, 2009
o Bienal Internacional de Música Eletroacústica de São Paulo (International Biennial for Electroacoustic Music of São Paulo), VII BIMESP 2008, August 15, 2008
o Electroacoustic Juke Joint at Delta State University, Cleveland, MS, November 10, 2007
o Soundings, Reid Concert Hall, Bristo Square, Edinburgh, Scotland, May 5, 2007
o The Quad Conclave, The Green Mill, Chicago, IL, March 25, 2007
o New Music Ensemble, New York University, New York, NY, December 4, 2006
o The 2006 International Computer Music Conference (ICMC), Tulane University, New Orleans, LA, November 6-11, 2006
o VI International Electroacoustic Music Festival of Santiago de Chile, Ai-maako 2006, Santiago, Chile, October 10-21, 2006
o SoundLab, SoundLAB Edition IV memoryscapes, newmediafast.org, October 13, 2006
o Palmarès du 32e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges, France, June 4, 2006
o First Prize for ASCAP/SEAMUS Commission Competition 2006, University of Oregon, Eugene, OR, March 30-April 1, 2006
o Mention for Palmarès du 32e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges, France, 2005
o International Lisp Conference, Stanford University, Palo Alto, CA, June 19-22, 2005
o Merging Voices: Fourth Annual Women in New Music Festival 2005, California State University, Fullerton, CA, March 11-13, 2005
o Spectrum Press and the Los Angeles Sonic Odyssey, Los Angeles, LA, February 12, 2005
• Sublimation (2004) for marimba and two-channel and four-channel electronic fixed medium
o Boston New Music Initiative Concert, Fenway Center, Northeastern University, Boston, MA, October 1, 2011
o Ensemble In Extensio’s Morphose Concert, Montreal, Canada, December 6, 2011
o Notation 21 Concert, Northern Illinois University, Dekalb, IL, March 31-April 1, 2011
o Mixed Media Festival, “En Tiempo Real Nuevos Encuentros Sonoros," Teatro Delia Zapata, Bogotá, Colombia, April 21, 2009
o Faculty Composition Recital, Roosevelt University, Chicago, IL, March 5, 2007
o Broadcasted with the commentary on the Czech Radio 3, radio station Vltava (http://www.live.cz/cro3/cro3-128.asx) on June 13, 2006
o Faculty Recital, Southern Oregon University, Ashland, OR, May 1, 2006
o Northwest Percussion Festival, Central Washington University, Ellensburg, WA, April 8, 2006
o Recording: MUSICA MAXIMALISTA•MAXIMAL MUSICl•VOL.12 VI Concourso Internacional de Musical Electroacoustica de Sao Paulo (CIMESP), 2005
o Recording: Wavefields, Experimental Music Studios (EMS), University of Illinois at Urbana-Champaign, 2005
o Finalist for MUSICA NOVA 2005, Society for Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 7, 2005
o Electro-Acoustic Concert, University of California, Davis, CA, November 18, 2005
o College Music Society, 48th National Conference, Quebec City, Canada, November 3-6, 2005
o Second Prize and performed at VI CIMESP 2005 Concurso Internacional de Música Eletroacústica de SãoPaulo, Brazil, November 1, 2005
o The Miami Section of the International Society for Contemporary Music (ISCM), Florida International University, Florida NODUS Group, Miami, FL, October 1, 2005
o Composers Forum MusiCircus, Museum of Contemporary Art, Chicago, IL, September 25, 2005
o New Music Marathon, Northwestern University, Evanston, IL, May 22, 2005
o Seventeenth Annual New Music Festival, Heidelberg College, Tiffin, OH, April 23, 2005
o New Music Festival, Southern Illinois University, Carbondale, IL, April 19, 2005
o The 2005 Society for Electro-Acoustic Music in the United States (SEAMUS) National Conference, Ball State University, Muncie, IN, April 14-16, 2005
o Merging Voices: Fourth Annual Women in New Music Festival 2005, California State University, Fullerton, CA, March 11-13, 2005
o International Computer Music Conference (ICMC) 2004, University of Miami, FL, November 6, 2004
o 4th Annual Electroacoustic Musical Festival, Santiago de Chile, Santiago, Chile, October 13-18, 2004
o Third Practice Festival, University of Richmond, Richmond, VA, October 2, 2004
o IX Festival Ecuatoriano de Musica Contemporanea, Quito, Ecuador, July 8, 2004
o The 2004 Australian Computer Music Conference (ACMC), Victoria University of Wellington, Wellington, New Zealand, July 1-3, 2004
o UIUC student composer concert, University of Illinois at Urbana-Champaign, Urbana, IL, February 2004
• Rumi-Rings of Being (2003) for two-channel electronic fixed medium
o UIUC student composer concert, University of Illinois at Urbana-Champaign, Urbana, IL, May 2003
• Onomatopoetic Mimesis (2002) for two-channel electronic fixed medium
o The 7th Annual International Women's Electroacoustic Listening Room Project, California State University, Fullerton, CA, March 1, 2008
o New Music Forum, The 5th Annual Festival of Contemporary Music, Trinity Chapel, Berkeley, CA, August 16, 2007
o SoundLab, SoundLAB Edition IV memoryscapes, newmediafast.org, October 13, 2006
o The 2006 Society of Composers, Inc. (SCI) National Conference, College Music Society, San Antonio, TX, September 13-16, 2006
o Spectrum Press and the Los Angeles Sonic Odyssey, Los Angeles, CA, March 12, 2005
o Projet-Itinerant, Alte Schmiede, Vienna, Germany, February 2, 2005
o NWEAMO 2004: Invented Instruments, Portland, OR, October 1-2, 2004, and San Diego, CA, October 8-9, 2003
o Palmarès du 31e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges 2004; Degré I-RESIDENCE, France, 2003
o 2004 Concurso Internacional de Música Eletroacústica de SãoPaulo, SãoPaulo, Brazil, November 2003
o Collective Jukebox, France, November 2003
o Finalist/Honorable mention, Society for Electro-Acoustic Music in the United States (SEAMUS) Conference, Arizona State University, Tempe, AZ, March 14, 2003
o Recording: Détonants Voyages, Studio Forum, France, 2002
o Honorable Mention at the 24th Luigi Russolo 2002 International Competition of Electroacoustic Music, Bagaini, Italy 2002
o Maverick Festival, University of Illinois at Urbana-Champaign, Urbana, IL, June 2002
• Conceptual View of Worlds I (2001) for piano, cello, clarinet, trumpet and bass drum
o Notation 21 Concert, Northern Illinois University, Dekalb, IL, March 31-April 1, 2011
o Score excerpt for Theresa Sauer's Notations 21 from Mark Batty Publisher (http://www.notations21.net/index.html)
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
• Conceptual View of Worlds II (2001) for two-channel electronic fixed medium
o Music BYTES, Electroacoustic mini-concert, Lewis University, Romeoville, IL, April 7, 2006
o Broadcasted in Radio Horizon 93.9 FM, South Africa, May 2002
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
o Recording: Origins, Experimental Music Studios (EMS), University of Illinois at Urbana-Champaign, 2001
o Electronic Music Midwest, Lewis University, Romeoville, IL, May 5-6, 2001
o UIUC Composers Festival, University of Illinois at Urbana-Champaign, Urbana, IL, February 2001
• Conceptual View of Worlds III (2001) for Interactive-experimental electronic music
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
o New Music Concert, Canopy Club, Urbana-Champaign, Urbana, IL, April 2001
• 3-3-Stream (2001) for tape two-channel electronic fixed medium
o 21st Century Piano Commission Concert, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
o The 7-11 Festival of New Music, University of Illinois at Urbana-Champaign, Urbana, IL, June 2001
o Electronic Music Midwest, Lewis University, Romeoville, IL, May 5-6, 2001
• Reflective Layers (1999) for violin, viola, cello, double bass, trumpet and trombone
o Synesthetic Sounds, Anaphora Concert, Curtiss Hall, Chicago, IL, December 9, 2009
o UIUC Composers Festival, University of Illinois at Urbana-Champaign, Urbana, IL, March 2000
• Dawn of Babel (1998) for two-channel electronic fixed medium
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
• Tangram (1998) for cello duo
o Midwest Composers Symposium, University of Michigan, Ann Arbor, MI, October 1999
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
o New Music Ensemble Concert, Georgia State University, Atlanta, GA, Fall 1998
• Phi (1998) for organ duo
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
• Zodiac (1998) for two-channel electronic fixed medium
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
o Honors Recital, Georgia State University, Atlanta, GA, Fall 1998
• For Elliptical Space (1997) for piano solo
o Master Composition Degree Recital, Georgia State University, Atlanta, GA, May 1999
• Reminiscences (1996) for piano solo
o The The 8th Annual Festival of Contemporary Music, San Francisco Community Music Center, San Francisco, CA, July 17, 2010
o 21st Century Piano Commission Concert, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002
• Merger (1996) for string quartet
• Corde a vite (1996) for violin solo