*All music is registered at ASCAP (American Society of Composers, Authors, and Publishers).


* Please email me if you are interested in commissioning or getting the score and sound. You can listen to the excerpt of each work.



SOLO

  1. Breathe Life (2012) for solo piano (2’30”)

  2. Breathe Life II (2014) for solo piano (2’30”)

  3. Flowerlips (2006) for vibraphone solo (7’26”)

•  For Elliptical Space (1997) for piano solo (1’57”)

•  Reminiscences (1996) for piano solo (12’)


TWO PIANOS (two hands/four hands)

•  Water Bloom (2012) for two pianos and eight hands (10’06”)

•  In Void (2012) for two pianos and four hands (15’)

•  The mind that moves (2011) for two pianos and eight hands (11’16”)


CHAMBER

•  Breathe Life III (2014) for baritone and piano (4’56”)

•  Rippled Pond (2013) for piano trio (10’7”)

•  REFORM (2012) for flute and percussion (7’14”)

•  For those who left us (2012) for guitar and piano (9’)

•  MIRO (2012) for flute, clarinet, violin, cello and piano (9’10”)

•  Resilience (2012) for two female voices and harp (7’23”)

•  In a picture of freedom (2011) for voice, flute, clarinet, piano, percussion, violin, cello (9’30”)

•  Uncarved Water (2010) for oboe, violin, viola, cello and percussion (7’21”)

•  TRACK (2008) for flute, clarinet, piano, violin, cello, and percussion (10’22”)

•  Gestural Trajectory (2004) for two pianos and percussion (16’41”)

•  Kandinsky (2000) for voices, electric guitar, percussions, dancers and video projection (15’40”)

•  Reflective Layers (1999) for violin, viola, cello, double bass, trumpet and trombone (6’40”)

•  Intuitive Abyss (1999) for voice, flute, cello, electric guitar, percussions, and video projection (12’51”)

•  Tangram (1998) for cello duo (11’20”)


ELECTRONIC ALONE

•  In the midst of (2015) for two-channel electronic fixed medium (3’)

•  Tensile Strength (2008) for two-channel electronic fixed medium (co-commissioned) (6’)

•  Photogene (2005) for two-channel electronic fixed medium (7’)

•  Tranquility (2005) for two-channel electronic fixed medium (7’)

•  Rumi-Rings of Being (2003) for two-channel electronic fixed medium (7’45”)

•  Onomatopoetic Mimesis (2002) for two-channel electronic fixed medium (7’10”)

•  Conceptual View of Worlds II (2001) for two-channel electronic fixed medium (7’20”)


LAPTOP ENSEMBLE

•  OM (2009) for laptop ensemble (6’30”)


SOLO/DUO with ELECTRONICS

•  In Flux (2014) for Janggu and electronics

•  Freed (2014) for bass flute and electronics (7’40”)

•  Dawn and Dusk (2012) for two pianos, four hands and electronics (13’30”)

•  Ceaseless Cease (2009) for clarinet and electronics (7’)

•  To Unformed (2009) for piano and electronics (8’)

•  Inner Space (2009) for cello and electronics (7’10”)

•  The line we can’t cross (2008) for alto saxophone and electronics (7’10”)

•  It only needs to be seen (2007) for guitar and electronics (7’5”)

•  Slight Uncertainty is Very Attractive (2006) for flute and electronics (7’15”)

•  Sublimation (2004) for marimba and electronics (7’)


CHAMBER with ELECTRONICS

•  Tender Spirit I (2013) for flute, clarinet, violin, cello, piano, percussion, and electronics (9’24”)

•  The words of Tagore (2012) for voice, piano, narrator, and electronics (9’20”)

•  TAO (2002) for voice, piano and live electronics (12’30”)


PERCUSSION ENSEMBLE

  1. A New Earth (2014) For percussion ensemble and electronics (13’13”)


WIND ENSEMBLE

No Opposite (2015) For Wind Ensemble (15’)


ORCHESTRA/LARGE ENSEMBLE

  Infinite Gaze (2015) for large ensemble (16’20”)

•  Open Arms (2013) for orchestra and electronics (11’27”)


OPERA

•  THE ETERNAL TAO (2010) –One Act Multimedia Production (1 hour and 45 minutes)


VIDEO

•  Tender Spirit II (2013) for video (9’28”)

•  GAIN (2007) for DVD

•  Condolence (2003) for DVD (7’40”)

Elephant, Acrylic (16 in x 16 in)