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PREMIERE: A Guide to the Moon for Fourth Coast Ensemble in Curtiss Hall, Fine Arts Building in Chicago, IL, April 18, 2026 and April 26, 2026 at a private residence.
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Anything but a dream for mezzo-soprano and piano at the Faculty/Alumni Composition Recital in Ganz Hall in Chicago, IL, April 1, 2026
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PREMIERE: Stainless Still for alto saxophone, electric guitar, piano, electric bass, and drum at the Chicago Composers' Consortium Concert, the Checkout, Chicago, IL, March 21, 2026
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PREMIERE: (be)yond for Grossman Ensemble, David Bloom, conductor, at the Logan Center Performance Hall, Chicago, IL, March 6, 2026
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Flowering Dandelion for violin and electronics, performed by Hasse Borup, at Abravanel Distinguished Composer Series, Dumke Recital Hall, University of Utah, Salt Lake City, UT, February 9, 2026
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To Unformed for piano and electronics, performed by Genevieve Lee, at Ussachevsky Memorial Festival of Electroacoustic Music, Lyman Hall, Thatcher Music Building, Pomona College, Claremont, CA, February 7, 2026
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Until Heard for piano and electronics, performed by Kari Johnson, at the Kari Johnson: New Piano Music, Lewis University, Romeoville, IL, February 3, 2026
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Not(h)ing for solo piano performed by Kuang-Hao Huang, at Chicago Soundings, Queen of Angels Church, Chicago, IL, January 27, 2026
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Quietly, a part of What is not lost for the animated song cycle at the 2025 ATMI/CMS National Conference at the Davenport Grand Hotel in Spokane, WA, Oct. 30-Nov. 1, 2025
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Im Nebel for large ensemble and baritone at the Contemporary Ensemble Concert conducted by maestro Benjamin Firer in Ganz Hall, at Roosevelt University, Chicago, IL, October 25, 2025
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Quietly, for video animation at the 6Degrees Composers Concert, Sherwood Auditorium, Chicago, IL, October 24, 2025
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PREMIERE: Anything but a dream for voice and piano by Corine Costell, soprano; Shannon McGinnis, piano, at Ear Taxi Festival in Logan Center for the Arts Penthouse, Chicago, IL, October 4, 2025 at 2 p.m.
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Breathe Life for baritone and piano performed by Brad Jungwirth, baritone; Lawrence Axelrod, piano at Ear Taxi Festival in Logan Center for the Arts Penthouse, Chicago, IL, October 4, 2025 at 2 p.m.
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Until Heard for piano and electronics was performed by Larry Axelrod at the „Musik für unsere Zeit/Musik aus unserer Zeit“ in Bonn, Germany, June 2, 2025
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Flowering Dandelion for violin and electronics, performed by Sarah Plum, Experimental Sound Studio, Chicago, IL, May 20, 2025
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Quietly for voice and piano was performed by Fidan Aghayeva-Edler, piano, and Nina Guo, voice. 24-hour "Komponistinnen" Piano Marathon at St. Elisabeth Kirche, Berlin, Germany, May 17-18, 2025
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PREMIERE: The unreal never lived for violin and piano, premiered by Salley Koo, violin, and Alexander Solomon, piano in Guarneri Hall, Chicago, IL, May 1, 2025; also performed inBargemusic, Brooklyn, NY, May 17-18, 2025
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Pale Courage for three voices by Artemisia (Diana Lawrence, Alexandra Olsavsky, and Kaitlin Foley) at the Chicago Composers' Consoritum concert in Horatio N. May Chapel, Chicago, IL, May 10, 2025
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Unleashed for solo piano, performed by Haein Shin, at the Diploma Recital in Ganz Hall at Roosevelt University, Chicago, IL, April 26, 2025
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Du for piano and electronics, performed by Amy Wurtz, at the Chicago Electro-Acoustic Music Festival, Ganz Hall, Roosevelt University, Chicago, IL, April 24-25, 2025
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Until Heard for piano and electronics, performed by Kari Johnson, at the Electro-Acoustic Music Midwest, Kansas Community College, Kansas City, KS, April 4-5, 2025
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PREMIERE: Quietly (video), a part of What is not lost for Animated song cycle at the Faculty/Alumni Composition Recital in Ganz Hall at Roosevelt University, Chicago, IL, Wednesday, March 26, 2025
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Du for piano and electronics at the 2025 National Conference of the Society for ElectroAcoustic Music in the United States (SEAMUS), Purdue University, West Lafayette, IN, March 21 – March 23, 2025
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Not(h)ing for solo piano performed by Kuang-Hao Huang
• PianoFest, Ganz Hall, Roosevelt University, Chicago, IL, March 15, 2025
• 6Degrees Composers Concert, Sherwood Community Music School, Chicago, IL, March 14, 2025
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Unlearning for vibraphone and piano, performed by Flannau Duo (Jonathan Hannau, piano; Kyle Flens, percussion) at the Music at First Unitarian Church, Chicago, IL, March 14, 2025
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Du for piano and electronics, performed by Amy Wurtz at Women’s History Month 2025. The link shows the interview with the composer
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See Through for two pianos and four hands at the Khasma Piano Duo (Ashlee Mack and Katherine Palumbo) Concert in the following venues:
• Illinois College Fine Arts Series, Rammelkamp Chapel, Jacksonville, IL, February 8, 2025
• Ganz Hall, Roosevelt University, Chicago, IL, February 7, 2025
• Recital Hall, Penn State University, Centre County, PA, November 20, 2024
• Blackbox Theatre, Francis Marion University, Florence, SC, November 18, 2024
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PREMIERE: Unlearning for vibraphone and piano, premiered by Flannau Duo (Jonathan Hannau, piano; Kyle Flens, percussion) at the Faculty and Guest Artist Recital: Matt Mason and Flannau Duo, Ganz Hall, Roosevelt University, Chicago, IL, February 5, 2025
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PREMIERE: Not(h)ing for solo piano, performed by Kuang-Hao Huang, at the at the Live from WFMT
Feb 3, 2025, at 8 p.m.
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Flowering Dandelion for violin and electronics, performed by Sarah Plum, at the Lunar New Year Celebration Concert in Cook Recital Hall at Michigan State University, East Lansing, MI, Feb 2, 2025
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RECENT PERFORMANCES